sculpture

Raised on a circular base. Square form top with circles inside

Figure is playing a horn. Unsigned. Maker unknown

Decorative. Bearing decorative embellishments. Possibly Indian

Mounted to a base. Age and maker unknown

Mounted to a base. Age and maker unknown

Reproduction of the original, made by Austin Productions Inc in 1980. Depicting a nude woman in a yoga pose. Mounted on a black base. Stamped by the maker and artist

Mounted on a base. Age is unknown

Bronze toned. With a felt base. Artist unknown. Unsigned

Maker unknown. Unsigned. With removable antlers

With a green toned finish. Each in a different stance. Maker unknown

Contemporary sculpture based on the vintage version. With all of the original text printed on the bust and antiquing on the porcelain made to look old

Raised on a gold base. Could work as a stand alone statue or end table. Top is flat but could hold a piece of small glass. Piece is decorative and Asian inspired, bearing character marks throughout

Bearing white bodies with gold and orange colored accents. Were used as table legs for a glass top console but could work on their own as stand-alone end tables or decorative sculptures.

Ceramic/plaster. Artist unknown

Depicting two forms with wrapping necks. Unsigned. Artist unknown. Raised on a carved wood stand

In an easel back stand. Depicting a fish in the water. Artist unknown. Edition

Signed and titled by the artist. Handmade and handpainted. Figure is painted and sitting in costume and headdress. From New Mexico

By Wilford Dilwseing Signed and titled beneath by the artist. Handpainted. Contemporary. Native American Kachina figure

Signed by the artist and dated 1994. Collectible and handpainted.

By Bernard and Sharon Lewis. Painted with black, teal, and red. Bearing a figure form on the top bearing arm form handles. Signed beneath. From a competition in Santa Fe in 1994

Sculptural. Depicting a woman. Handmade and painted

Native American. Handmade and beaded. From a 1992 competition

Depicting a bird form and a face form. With a mount for hanging

Depicting sailboats

Brahma is seated upon a base, his four faces representing the four directions constantly looking for his consort, the Hindu Goddess of wisdom Saraswati. Eight hands are portrayed; an open palm facing the viewer indicates protection and favor and tells the worshiper to have no fear; a raised foot indicates liberation; the hand is a universal symbol of dexterity, giving, and reaching out; therefore, having more than a pair of arms is a logical way to highlight the generosity, agility, and helpfulness of Hindu deities. Unlike other Hindu Gods, Brahma never holds any weapons. The statue is made of Indonesian brass, likely in Bali, with it's unique beautiful antique blue/green patina. comp: #97bb16 at Lotus sculpture.

Glazed ceramic sculpture. In three parts - organic shapes of ruffles containing faces of women in jewel tones of blues purples bronzes.

Gilded metal and gold tones

Of a tribal woman's head. Painted black. Maker and origin unknown.

This wooden sculpture is small and a beautifully rendered portrait of the gorgeous exotic features of an African woman. Origin unknown.

African wood mask with nice detail. Fit to be wall mounted.

This African wooden mask has not only the face but the headdress carved as part of the entire piece. In great condition.

Framed in an octagonal frame. With a shield crest in the center.